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RXZ11 |
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11.2-channel Flagship Digital Home Theatre Receiver |
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Product Details |
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Unprecedented Audio Performance |
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High Sound Quality |
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| Preamplifier Stage |
New Pure Direct Concept:
For the RXZ11, Yamaha has upgraded its popular Pure Direct feature. It now provides higher sound quality from lossless audio formats digitally transmitted via HDMI, while still ensuring optimum quality from CD and analogue audio sources. It allows the enjoyment of two channel CD output, multi-channel Super Audio CD and DVD-Audio output, and even Blu-ray, HD-DVD and other HD sources.
Pure Ground DAC Concept:
The DACs, vital determinants of digital audio quality, are placed on the analogue circuit board, preventing the large ground potential differences that can occur when the digital and analogue sections are far apart. Furthermore, the DACs are connected directly to the power supply to avoid degradation of low level signals. This helps to maximize both two-channel and multichannel audio performance.
Pure Ground DAC Concept:
The DACs, vital determinants of digital audio quality, are placed on the analogue circuit board, preventing the large ground potential differences that can occur when the digital and analogue sections are far apart. Furthermore, the DACs are connected directly to the power supply to avoid degradation of low level signals. This helps to maximize both two-channel and multichannel audio performance.
High Quality Preamplifier Block Design: The printed circuit boards are located very close to each other. This has the advantages of minimizing signal paths, shortening signal loops and improving noise isolation from other circuits.
Low-Jitter PLL and Digital Clock Circuits: The preamplifier stage incorporates both a low jitter PLL circuit and a VCXO digital clock circuit, significantly reducing jitter from digital inputs so sound processing can be accomplished without being affected by jitter. This is particularly effective in improving the sound quality of digital signals that are input via HDMI. |
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| Power Amplifier Stage |
All Channel Current Feedback Circuit: The power amplifier uses current rather than voltage for feedback in all channels. Because there is virtually no phase shift, phase compensation can be kept to a minimum. This contributes to the RXZ11’s excellent transient response, allows frequency response to remain unchanged even when the gain changes, and creates a warmer, texture-rich sound.
Hybrid Low Noise Power Supply: A highly efficient DCDC converter and extra-large transformer is used for the digital circuit, which requires high current input, and a low noise power supply circuit for the analog audio circuit. An independent current power path is provided for the speaker relays and display.
Symmetrical Layout and New Power Circuit Layout: The heavy power transformer is in the centre with the heat sinks on either side to ensure equal weight distribution. The power circuit layout separates the video and digital audio section from the analogue audio section to eliminate adverse influences, and distances between circuits and power supplies were shortened to avoid high current loop problems.
Thick Aluminum Panels and Large, Heavy Feet: Thick aluminum panels are used throughout to prevent vibration and maintain high performance audio reproduction. The large, heavy feet also serve to dampen external vibrations. |
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High Picture Quality |
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| HDMI 1.3a Compatibility |
The RXZ11 is compatible with the newest version of the HDMI standard, 1.3a, providing the benefits of Deep Color (30/36bit) and the xvYCC colour standard. Digital video and audio signals can be transmitted via a single HDMI cable and it accepts the lossless audio formats Dolby TrueHD and DTS Master Audio. There are five HDMI inputs, one of which is on the front panel, as well as two HDMI outputs that allow images to be displayed on two devices, such as a flat panel monitor or a projector. HDMI 1.3a means the RXZ11 can handle the high 1080p/24Hz resolution of Blu-ray Discs, and also provides an Auto Lip-Sync function that automatically adjusts the lag between video and audio and a double speed Refresh Rate of 120Hz. |
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| xvYCC Colour Space |
When you use the RXZ11’s HDMI outputs to transmit video signals, you enjoy spectacular color performance. One reason is that HDMI 1.3a uses a new colour standard called xvYCC, which supports 1.8 times as many colours as previous HDTV signals. This expanded range of colours means that HDTVs can display images with colours that are far more natural and vivid than ever before. |
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| The Best-Balanced Video Processing Configuration |
After an extensive evaluation of video processing configurations, Yamaha found that there is no single chip solution that can achieve optimum system performance for the RXZ11 in both the SD and HD domains. Therefore Yamaha decided to use a dedicated i/p converter and a dedicated video scaler. The i/p converter (480i to 480p) features a 10-bit processing Motion Adaptive Deinterlacing Engine with Enhanced Motion Detection Filter, Diagonal Processing and 2:2/3:2 Pull-Down Detection. The video scaler is the Anchor Bay ABT1018, featuring a 10-bit Precision Video Scaling™ engine that can independently scale images horizontally and vertically to achieve outstanding picture quality. The result is a very stable picture with no jaggies and no flicker with HD deinterlacing.
HDMI Video Upscaling (both analogue and digital inputs)
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Versatile Zone Control |
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Surround Realism |
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| CINEMA DSP HD³ |
The RXZ11B introduces Yamaha’s latest digital sound field processing refinement: CINEMA DSP HD³. As amazing as the systems on the RXZ9 and RXV3800B were, this system marks a further evolution of CINEMA DSP. It utilizes four Quad CINEMA DSP engines and permits lossless decoding of 192kHz signals, while providing 3D processing that gives the sound field an extra vertical dimension. In its full 11-channel configuration setting it adds two presence and two rear presence speakers, offering the enjoyment of a completely new 3 dimensional sound stage. |
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THX Ultra2 Plus
Surround Mode |
THX Ultra2 Plus includes the newest THX Loudness Plus technology. It lets you enjoy five THX programmes in the optimum condition, delivering a more accurate listening experience at any volume level. |
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| Adaptive DRC |
Adaptive DRC (Dynamic Range Control) is a new volume control technology that is effective for low volume listening, such as at night or with headphones. It applies DRC processing to eliminate the volume differences between loud commercials and ordinary programming and to take into account our ears’ loss of sensitivity as volume decreases. The compensation is performed automatically, so all dialogue is heard clearly even at low levels, and there are no sudden loud bursts of sound. |
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| Adaptive DSP |
When volume level is low, CINEMA DSP effects may be difficult to hear. Adaptive DSP Level overcomes this problem by evaluating the difference between the volume level and a reference level, and adjusting the DSP level to ensure optimum effectiveness, that is, the best possible sound. |
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Surround Programmes
and Formats |
| COMPATIBLE FORMATS |
HIFI DSP PROGRAMMES |
| Dolby Digital |
Classical 1: Hall in Munich A |
| Dolby Digital EX |
Classical 1: Hall in Munich B |
| Dolby Digital Plus |
Classical 1: Hall in Frankfurt |
| Dolby Digital TrueHD |
Classical 1: Hall in Stuttgart |
| DTS Digital Surround |
Classical 1: Hall in Vienna |
| DTS 96/24 |
Classical 1: Hall in Amsterdam |
| DTS-ES Matrix 6.1 |
Classical 2: Hall in USA A |
| DTS-ES Discrete 6.1 |
Classical 2: Hall in USA B |
| DTS-HD High Resolution Audio |
Classical 2: Chamber |
| DTS-HD Master Audio |
Classical 2: Church in Tokyo |
| Dolby Pro Logic |
Classical 2: Church in Freiburg |
| Dolby Pro Logic II Music |
Classical 2: Church in Royaumount |
| Dolby Pro Logic II Movie |
Live / Club: Village Gate |
| Dolby Pro Logic II Game |
Live / Club: Village Vanguard |
| Dolby Pro Logic IIx Music |
Live / Club: The Bottom Line |
| Dolby Pro Logic IIx Movie |
Live / Club: Cellar Club |
| Dolby Pro Logic IIx Game |
Live / Club: The Roxy Theatre |
| DTS Neo:6 Music |
Live / Club: Warehouse Loft |
| DTS Neo:6 Cinema |
Live / Club: Arena |
| Neural-THX |
Stereo: 11 Channel Stereo |
| THX PROGRAMMES |
CINEMA DSP PROGRAMMES |
| Surround EX |
Movie: Standard |
| Ultra2 Cinema |
Movie: Spectacle |
| Cinema |
Movie: Sci-Fi |
| Ultra2 Music |
Movie: Adventure |
| Music |
Movie: Drama |
| Ultra2 Games |
Movie: Mono Movie |
| Games |
Entertainment: Sports |
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Entertainment: Music Video |
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Entertainment: Recital / Opera |
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Entertainment: Pavilion |
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Entertainment: Disco |
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Entertainment: Action Game |
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Entertainment: Roleplaying Game |
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Advanced Features |
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| Network Receiver Capabilities |
Like other Yamaha network receivers, the RXZ11 can be connected to a PC or Yamaha MCX-2000, and can access Internet Radio via a LAN. It supports the LAN standby mode, allowing an external controller to send commands via an ethernet link. Two USB ports are provided, on the front and rear, with 500mA power support. It is compatible with PlaysForSure devices, Windows Vista, Yamaha Music CAST and various audio Codecs such as MP3, WMA, WAV and MPEG4 AAC.
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| Advanced YPAO Sound Optimization Auto Setup |
Yamaha’s YPAO Sound Optimization system analyzes the room acoustics and various system factors, then makes adjustments to provide optimum sound quality. It addition to the previous adjustments for speaker size, distance and wiring, plus equalization and level, this Advanced YPAO has four new capabilities. The first is measurement at multiple locations (up to eight). It does not average the results but performs analysis weighted in accordance with the state of each location to calculate compensation values. This results in a larger “sweet spot” at the listening position. The second is the use of parametric equalization to cancel the effects of standing waves, which degrade low range response. The third is speaker angle measurements to optimize CINEMA DSP effects. And the fourth is an Easy Starter feature that activates YPAO when the microphone is inserted and the Enter button is pressed, with information shown on the display. |
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Inputs and Outputs |
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| INPUTS |
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OUTPUTS |
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| HDMI |
5
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HDMI |
2
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| USB |
2
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Optical Digital (Fixed & Assignable) |
1
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| XM Connect-and-Play |
1
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Coaxial Digital (Fixed & Assignable) |
1
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| Dock Terminal for YDS-10 |
1
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Analogue AV / Audio |
2 / 2
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| Optical Digital (Fixed & Assignable) |
5
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S-Video |
2
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| Coaxial Digital (Fixed & Assignable) |
4
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Component Video Monitor |
2
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| S-Video |
6
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S-Video / Composite Monitor |
1 / 1
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| Analogue AV / Audio |
6 / 4
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Speaker (w/o Subwoofer) |
11 ch /13 ter
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| Component Video (Fixed & Assignable) |
4
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Subwoofer |
2
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| Radio Antenna (AM / FM) |
1 / 1
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Zone 2 Video (Component / Composite) |
1 / 2
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| Multi-Channel External Decoder |
8 ch
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Zone 2 Audio (Optical / Coaxial) |
1 / 1
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| Remote |
2
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Zone 3 Audio |
1
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Zone 4 Audio |
1
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Remote |
2
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Trigger |
2
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RS-232C |
1
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Specifications |
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| Min. RMS Output Power |
Front Channels |
140 W + 140 W (0.04% THD) |
| (8 ohms, 20 - 20,000 Hz) |
Centre Channel |
140 W (0.04% THD) |
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Surround Channels |
140 W + 140 W (0.04% THD) |
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Rear Surround Channels |
140 W + 140 W (0.04% THD) |
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Presence Channels |
50 W + 50 W (0.04% THD) |
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Rear Presence Channels |
50 W + 50 W (0.04% THD) |
| Dynamic Power (8/6/4/2 ohms) |
185/230/290/385 W |
| Damping Factor (8 ohms) |
150 (1 khz, Main) |
| Frequency Response (Front L/R - CD, etc.; Pure Direct On) |
10 Hz–100 kHz +0/-3 dB |
| Total Harmonic Distortion (Front L/R - CD, etc.; 20 Hz–20 kHz) |
0.02% (70 W/8 ohms) |
| Signal-to-Noise Ratio (CD, etc.) |
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100 dB (250 mV) |
| Dimensions (W x H x D) |
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435 x 210 x 497 mm |
| Weight |
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34 kg |
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Yamaha’s Digital ToPART design concept ensures that the RXZ11 is fully capable of handling the transmission of high volume digital sound data at speeds up to 192kHz. The interior layout thoroughly isolates the digital, analogue and video sections and provides the shortest possible signal routes. To achieve the quality demanded by the latest lossless compression formats received via HDMI bitstream transmission, circuit board designs were radically revised and parts selection was reevaluated. A Variable Volume Control helps provide the best possible S/N ratio. High Current Amplification circuitry achieves high current power with low impedance for superior amplifier performance.